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Titaninnen

The story of Titaninnen revolves around Lu and Ika, two inseparable sisters who have sworn eternal loyalty to each other. But their promise is put to a severe test when one of them must find her place at the Prussian court. Their unwavering bond stands at the heart of an epic tale that unfolds between 1780 and 1810.

Production Design – A fusion of authenticity and mysticism—crafted in light, texture, and memory.

The visual concept of Titaninnen reflects the emotional depth of the story, creating an immersive world that oscillates between historical authenticity and artistic interpretation. Lu and Ika, two inseparable sisters, are tested by their unbreakable bond and their quest for freedom in a society governed by rigid rules.

While the Rococo of the Frederickian court, with its opulence and playfulness, represents youthful exuberance, a distinctly different visual language unfolds in the abandoned water castle. The strict Classicism of this setting is defined by the unique, historically authentic wallpapers of the time, whose elaborately printed scenic designs extend the spatial perception beyond physical boundaries. Here, a near-ritualistic atmosphere emerges – a deserted, lyrical place that signifies more than mere retreat. Through the interaction of cubic structures with the graphic elements of the wallpapers, spatial perception is transformed, leading to a new, almost dreamlike dimension.

Caspar David Friedrich, though belonging to a later era, influences the visual language with his visionary interpretation of nature and transience. Luise and her sister appear as heralds of a new age – independent, deeply connected to the earth, yet surrounded by a transcendent beauty. Light and textures play a central role in the set design: shadows sculpt the depth of spaces and imbue them with a quiet drama, while carefully orchestrated lighting nuances emphasize the mysticism of this world.

„Set Decoration + DRAWINGS“

HAUS STAPEL + SCHLOSS WILHELMSTHAL

The set design of Titaninnen goes beyond mere historical accuracy – it crafts a world that draws the viewer in and makes the emotional depth of the narrative immediately tangible. It forms a visual bridge between past and future, between societal conventions and individual longing – a living painting that carries the atmosphere of the story. Filming in museums presents unique challenges, requiring special protective measures to preserve valuable exhibits. Comprehensive surveys were conducted to document the existing collections in detail and ensure that any changes to the exhibitions were implemented in close cooperation with the conservators. To achieve an authentic and historically resonant set design, collaboration took place with renowned collectors and specialized prop repositories. Through these partnerships, historically significant furniture and objects were integrated into the production, enriching both the visual and narrative aspects of the scenes. A highlight of this meticulous approach is the cooperation with KPM Berlin, which provided both exquisite historical originals and masterful reproductions from its renowned porcelain manufactory. Among these are sophisticated tableware pieces for the grand scenes set in Schloss Wilhelmstal and intricately crafted figurative decorations for Haus Stapel, enhancing the spatial aesthetics with detailed elegance. This fusion of art-historical expertise and cinematic vision allows the creation of an atmospheric and historically immersive setting, bringing the era vividly to life and capturing the intricate beauty of its time.

CREW

Director / Jannick Weiße – DOP / Lisa Jilg – Production Company / Filmakademie Baden-Württemberg GmbH – Producer / Malin Krüger – Creative  Producer / Annika Mommsen – Color / Christine Wetzel – Costume Design / Laura Yasemin Schäffler – HMU / Stella Gade – Light / Merlin Luong – Props / Marlene Mehrlein – Production Design / Jan Christoph Scheurer – Production Design Assistance / Sophia Caroline Richter